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Beyond the repeated reference to her familys way to subsist, this performance stands for the destruction of a housework device that became associated with the enslaving of housewives for more than a century, but also a moment of catharsis when the artist can ease the inner tensions that both destroy and construct her.
The artist, who was one of the most talented individuals in the ex-Yugoslavia art scene of the 1980s and who despite the Balkan war, chose to stay in Bosnia, has long been concerned with the condition or position of artists and the arts in the country today, the relationship between art, artists, politicians, state and society, the question of what is art today, as well as with the topic of isolation.
He uses all available media, from drawing, painting, print, video, object, sculpture to installation, performance and environmental work. These pieces also introduce the viewer to the professors conceptual approach to art as well as to his ontological concerns which are deeply determined by his existence as a Bosnian citizen.